Studio Job - Soft Parade

Studio Job was founded in 1998 by Job Smeets in the renaissance spirit, combining traditional and modern techniques to produce once-in-a-lifetime objects. At once highly specific and yet entirely universal, personally expressive and yet experimental, Studio Job has crafted a body of work that draws upon classical, popular and contemporary design and highly visual and sculptural art.

Time
2026
Dragger
Dragger
1998
Pieces
Unique
Dragger
Dragger
Unlimited

Material

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Studio Job

News Label

21 April 2026

An original collection by Job Smeets for Mouromtsev Design Editions curated by Maria Cristina Didero presented at Salone Raritas – Milan Design Week 2026 21-26 April 2026, Hall 9 | Booth 6, Fiera Milano, Rho

 

For the premier edition of Salone Raritas, to be held at the Salone fairground for 2026 Milan Design Week, (April 21-26) Job Smeets presents SOFT PARADE, an original collection conceived forthe new international player Mouromtsev Design Editions and curated by Maria Cristina Didero. Softness created in collaboration with Gufram.

Presented for the first time during 2026 Milan Design Week, the project frames a reflection on the thematic of “softness” (standing for kindness, openness) not as consolation, but as a critical position articulated in response to current and general contemporary conditions of uncertainty. The response is an ironical game of play with concepts and forms which plays with double layers of meanings, that try to depict a human major feelings and contradictions.

For Job Smeets softness is not opposed to hardness, but it operates alongside it. It is not a retreat from reality, but a way of negotiating it. In this collection, irony sits at the core, allowing contradiction to remain visible and tension to be held. Rather than offering comfort, the pieces of works articulate a measured optimism grounded in conviction: a belief in humour and tenderness as deliberate positions to experience the world.

The collection comprises six singular pieces, from different typologies of objects (daybed, carpet, floor lamp, table, coffee table, and lounge chair), each structured around a reversal of expectationand play of forms. Objects associated with fragility, danger, discipline or seriousness are reconfigured through material and symbolic displacement. For examples, a feather daybed, fragile and by nature incapable of bearing weight, becomes a support for the body. A tire, symbolizing infinity and moulded from a ready-made is a crucial object for humanity and emblem of speed and industry – emits light and bears the statement ‘The World Will Be Saved By Beauty’. Pink bubble gum emerges from candy dispensers that overflow upwards to form a dining table, allowing childhood joy to accompany a functional object. Fire, historically a threat,an untamed element becomes here a place of rest. Strength is expressed through softness rather than force; danger is neutralised through care. Everything is dressed in a healthy dose of irony as our life would be pretty much unbearable without it!

SOFT PARADE

“To me ‘SOFT PARADE’ is a very intimate and personal collection. It’s a rare opportunity that I get to design a body of work so personally and directly, working without the involvement of my ‘big’ atelier Studio Job and it’s many sculptural steps, and just directly from my sketch into production and being inspired by material and form. In all my work I form my ideas alone through drawings, which is a liberating process but also a confronting one to work only in my own head. In this collection I was looking for shelter, protection, tactility and warmth. A near metaphor to how our society is rapidly hardening, danger, fear, the end of globalization, the re- birth of localism. Both in good and in bad. Because an end can be a new beginning, and as Tolstoy once wrote, ‘The world will be saved by beauty’. So, I am transported back to my youth when I was drawing the Bubblegum Dining table, I was inspired by local and ancient craftsmanship when I designed the RUFF side table. I feel the warmth and the comfort in the On Fire chair… the protection of the soft Feather and so on and so on.” – Job Smeets, Piemonte winter 2025

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