Studio Job - What The Heck

Studio Job was founded in 1998 by Job Smeets in the renaissance spirit, combining traditional and modern techniques to produce once-in-a-lifetime objects. At once highly specific and yet entirely universal, personally expressive and yet experimental, Studio Job has crafted a body of work that draws upon classical, popular and contemporary design and highly visual and sculptural art.

Time
2025
Dragger
Dragger
1998
Pieces
Unique
Dragger
Dragger
Unlimited

Material

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Studio Job

Work label

What The Heck

Created for a Belgian private client: a sculptural intervention designed to engage both home and street. Double-sided pillars balance beauty and defiance, welcoming residents while confronting passers-by.

  • Year
  • 2023 - 2025
  • Material
  • Polished aluminum and bronze, hand-painted bronze and aluminum, and hand-blown glass.

What The Heck

Created for a Belgian private client

This publicly viewable artwork is a unique sculptural intervention-hand-crafted in bronze, meticulously hand-painted, and finished in aluminium. Conceived from both an aesthetic and protective instinct, the commission asked for a pair of sculptures that could “face” in two directions at once: beautiful guardians turned inward toward the home, and darker, more defiant figures confronting the street.
Responding to this duality, Job Smeets designed two double-sided pillars: Bambi and a clown mask welcoming the residents, while a doberman and a wild boar stand sentinel toward passers-by. As Smeets mentions, “Anyone who simply drives by will see it whether they want to or not.” The work’s presence begins long before the material process: “Of course, it all starts with the drawing,” he describes, “but then you have the expertise of the sculptors, the painters, the polishers.”
For Smeets, the project fulfills a range of artistic impulses: the urge to fashion sculptures of real material weight but also the desire for a public encounter-“to be present in the public eye, so that it’s for everyone. Even for the dogs walking by, the children; it’s almost a kind of bizarre gesture.” Wholly site-specific and tailor-made for its very location, the work personifies the artist’s belief in total, tailored creation. As he himself says, “You know, it’s just a kind of masterpiece, isn’t it?”
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